1 Soundcraft Spirit SX Live or Recording Mixer

20 inputs as standard

18 outputs including aux and direct outputs

12 mono channels with high quality UltraMic・pre-amps

4 stereo inputs

4-bus architecture, with sub-group routable to mix

Direct outputs can be switched globally pre- or post-fade

Inserts on all mono channels

3-bands 'British' EQ with swept mid-band

Stereo 18dB/octave 100Hz high-pass filter to cut stage rumble

+48V phantom power

Channel On switch for mute control

Two sub-group outputs

Separate mono sum output

Impedance balanced outputs

1 Furman PL8

2 slide-out, swiveling light fixtures for rack illumination

Dimmer control for lamp brightness

8 accessory outlets in rear controlled by front switch

Triple-mode varistor spike and surge protection

RFI filtering

15-amp rating, with circuit breaker

Separate switch for lamps

1 tc electronic m300 Muli Effect Processor

Dual-engine structure allows 2 different effects simultaneously

Legendary TC reverbs (15 true stereo reverbs)

15 other effects including delay (up to 5 seconds), chorus, flanger, tremolo, dynamics, de-esser, compressor, and limiter

355 presets: 256 factory and 99 user

Serial and dual mono routing

Auto-switching S/PDIF digital in and out @ 44.1 and 48kHz

High-quality 24-bit AD/DA converters

24-bit memory structure

Auto-switching internal power supply

1 Alesis 3630 Dual Compressor Limiter with gate

Dual channel or stereo linkable operation

User selectable RMS and Peak style compression

User selectable Hard Knee/ Soft Knee compression

Built in noise gate w/ variable close rate per channel

Two 12 segment LED meters per channel for gain reduction and input/ output display

TRS sidechain input allows effects for ducking and de-essing

Uses industry standard super low-noise VCA chip

Fully variable threshold, compression ratio, attack, release and output level

1 Alesis MEQ-230 Dual channel, 30 band/channel, 1/3rd octave graphic equalizer

2 complete 30 band 1/3 octave equalizers

Power up delay circuitry protects speakers by eliminating turn-on transients

±12dB boost or cut per band

Each channel can be bypassed individually

Clip and signal present LEDs for each channel

Inputs and outputs via both 1/4" phone and RCA jacks

2 QSC RMX-850 Power Amps

1/4" TRS, XLR, and barrier strip balanced inputs

Binding post and Neutrik Speakon outputs

Front-mounted gain controls for easy access

Independent and defeatable clip limiters

Selectable low-frequency filters (30Hz or 50Hz)

Signal and clip LED indicators Independent DC and thermal overload protection

Variable speed fan Stereo: 200W @ 8 ohms Stereo: 300W @ 4 ohms Stereo: 430W @ 2 ohms

Wired one as main, other for back up

2 JBL JRX-125 loudspeakers

Dual 15" woofers

2" high-frequency compression drivers with 1" exits

Progressive Transition WaveGuide horns

Systems function as quasi 3-way 3/4" acoustically superior MDF cabinets

Trapezoid cab design for excellent projection

500W continuous power capacity

1,000W peak power capacity

Heavy-duty recessed handles

Heavy steel grilles

1/4" and Speakon connectors

SonicGuard protection circuitry

Nominal Impediance 4 ohm

Frequency Range 35 Hz – 16 kHz (–10 dB)

Sensitivity 100 dB, 1 Watt @ 1 Meter

Crossover Frequency 2 kH

1 Sony Pro MDR-7506 Headphones

Premium 40mm drivers

Closed-ear design for a tight bass response

Frequency response is a flat 10Hz to 20kHz

Gold-plated connectors

UniMatch plug is provided for both 1/4" and 1/8" jacks

Soft case

1 Littlite

Sound Desk Light w/ Clamp

2 100’ Speakon NL4FC Cables for loudspeakers

1 50’ Edison

1 Wired and ready to go with road cases